With Satinwood and Olivewood Marquetry Inlaid with a single drawer with a fitted interior including a writing surfaceHeight 28 in. Width 18 in. Depth 13 in.
With a circular dished top with a gilded gadrooned edge held by three winged maidens, tapering to ending on hoof feet joined by a central urn motif.Height 37 in. Diameter 19 in.
Height 29 in. Diameter 38 in.
There have been many important French designers associated with Art Deco and through the 1930's, '40's and beyond who worked in wrought iron. One usually thinks of Edgar Brandt, Raymond Subes, and Paul Kiss. For quite a while, when Art Deco was enjoying its first flush of recognition in the 1970's, Gilbert Poillerat remained relatively unknown. This would soon change as the natural progression of design exploration began to move into the 1930's and beyond, and Poillerat would emerge as one of the most original and important designers of his time.
Gilbert Poillerat was born in 1902 in a small town in France that, oddly, had three names - Mer, Loir et Cher. Like many other furniture designers, he attended the famed École Boulle, where he trained as a metal chiseler and engraver, graduating in 1921. Following his graduation, he worked with arguably the best and most influential wrought-iron master - Edgar Brandt. He worked for Brandt for over seven years in both design and production. There can be no doubt that this time was hugely important, not only in furthering his training and perfecting his technique, but also exposing him to the new ideas that had blossomed forth during the Art Deco movement, when wrought-iron escaped the constraints of tradition that had kept it static for so long.Height 33 in. Width 67 in. Depth 36 in.
The rectangular top with decorative inlaid over a single drawer, resting on four legs with gilded & architectural details joined by an X-stretcher with a shelfHeight 29 in. Width 28 ½ in. Depth 19 ½ in.
Height 31 in. Width 37 in. Depth 16 in.